Prunella Scales: From the Iconic Fawlty Towers to Remarkable Canal Adventures
The celebrated actress Prunella Scales, who died at the age of 93, was considered one of Britain's finest comedic performers.
Despite a long and distinguished career on stage and screen, she will inevitably be remembered as Sybil Fawlty in the classic 1970s television series, Fawlty Towers.
It was Sybil's mission throughout her existence to closely monitor her "stick insect" husband Basil - played by comedian John Cleese - between telephone chats fueled by cigarettes with her friend, Audrey.
It fell to her to calm visitors who had been shouted at, completely overlooked or, occasionally, throttled by Basil when in one of his more manic moods.
Her nightmarish laugh, gravity-defying hairdo and intense anger were part of a carefully constructed character that ranks as a humorous triumph.
And while numerous performers would have removed themselves from excessive identification with a single role, Scales always expressed her delight in having been part of the Fawlty Towers experience.
Early Life and Career Beginnings
Prunella Margaret Rumney Illingworth came into the world near Guildford on 22 June 1932.
It was a family deeply in love with the theatre - her mother being, Bim Scales, a former actor who'd given it all up for marriage and children.
Intelligent and studious, following evacuation during the war to the Lake District, Prunella attended Moira House educational institution in the coastal town of Eastbourne.
During 1949, she won a scholarship to the Old Vic Theatre School and - after two years - secured a position as a stage management assistant.
This decision angered of her former headmistress in Eastbourne, who had hoped she would apply to Cambridge and sent correspondence to the theater to tell them so.
During her theatrical training, Scales was perceived as a junior character actor instead of an obvious Juliet.
"Everyone aspired to resemble Audrey Hepburn," she later told her biographer, "but I wasn't attractive and nobody fancied me."
Young Prunella concealed her privileged background, aware that producers started seeking a new kind of earthy credibility in their actors.
Nevertheless she began acquiring small roles in plays, and, during preparations for a part at the Connaught Theatre in Worthing, she encountered actor Andrew Sachs, who would later star as Manuel the Spanish server, in the famous series.
There was an early television appearance in the year 1952, as the character Lydia Bennet in a BBC production of Pride and Prejudice, which featured actor Peter Cushing - more famous for his horror film performances - as Mr Darcy.
And her first big screen roles followed the next year - in romantic comedy, Laxdale Hall, and David Lean's Hobson's Choice, alongside the renowned Charles Laughton.
During the latter 1950s and early 1960s, she maintained constant employment - performing across multiple mediums, including a brief stint as a bus conductor, Eileen Hughes, in Coronation Street.
She also met fellow actor Timothy West.
After what Prunella described as "a mild Times crossword and Polo mints flirtation", they became a couple, and wed in 1963.
Career Milestones and Defining Characters
Her major television opportunity came with the series Marriage Lines, a BBC sitcom about recentlyweds, George and Kate Starling.
Scales performed alongside Richard Briers, at that time a major celebrity in television comedy. The show proved hugely popular and ran for five years.
Then came the legendary Fawlty Towers, which elevated her to cultural icon.
John Cleese and his spouse at the time, Connie Booth, had presented the initial screenplay of Fawlty Towers to the BBC.
Actress Bridget Turner had been approached to play the Sybil role but she declined the part and Scales tried out for the character.
She subsequently recalled that Cleese maintained high standards.
"John, quite rightly, was extremely rigorous about learning the script, and if you didn't, he could get quite cross, which was fair enough."
Merely twelve installments were ever made.
The first series, which debuted in 1975, didn't immediately attract massive viewership but, with subsequent episodes, its comedic combination of absurd pratfalls and embarrassing situations grew in popularity.
Scales carefully considered about portraying Sybil Fawlty, and determined that her character's upbringing had to be inferior to Basil's social standing.
At first, John Cleese and his wife were unsure about the treatment.
"After witnessing the initial read-through," Scales remembered, "they embraced the concept completely."
Later in her career, she frequently found herself, requested to portray stern matriarchs when she desired elegant characters.
But when asked about her career pinnacle, Scales had no hesitation in selecting Sybil Fawlty.
"It was a tough job," she maintained, "yet I remain proud of my work." She believed it helped get the paying public into performance venues.
"I believe that audience familiarity with one performance encourages attendance at others," she said.
Later Career and Personal Life
Following Fawlty Towers, Scales continued to work in television, including a stint as character Elizabeth Mapp in ITV's Mapp and Lucia.
Her vocal talents were frequently featured on audio broadcasts, notably the comedy program After Henry, which subsequently transferred to television, and the series Ladies of Letters, with actress Patricia Routledge, which became an intrinsic part of the program Woman's Hour.
Scales appeared in two significant royal characters; as Queen Elizabeth II in the BBC production of Alan Bennett's A Question of Attribution, and as Queen Victoria in a one-woman show that she performed 400 times.
She obtained correspondence from one of Queen Elizabeth's security men who admitted that when Scales came on stage, he rose to his feet.
"It was a knee-jerk reaction," she clarified. "The experience delighted me."
During 1995, she began starring as character Dotty Turnbull in television commercials for the retail chain Tesco - which compensated her partially with shopping credits.
The campaign, which ran for nine years, was identified as the primary reason in establishing its dominant market position in the mid-nineties.
Scales subsequently faced moderate critique for taking part in the commercial campaign, when she backed a campaign to prevent neighborhood store closures in her London community.
One of her finest performances came in the production Breaking the Code, the movie concerning the Bletchley Park wartime codebreakers.
She portrays Alan Turing's mother, who embodies a society that criminalized same-sex relationships, a perspective that contributed to his tragic end.
Beyond performance, {Scales was